{"id":4617,"date":"2022-04-05T18:16:17","date_gmt":"2022-04-05T18:16:17","guid":{"rendered":"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/"},"modified":"2022-04-05T18:16:17","modified_gmt":"2022-04-05T18:16:17","slug":"read-this-before-you-remove-your-music-from-streaming","status":"publish","type":"post","link":"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/","title":{"rendered":"READ THIS Before You Remove Your Music from Streaming"},"content":{"rendered":"<p><span>Some famous legacy artists recently removed their music from Spotify. T<\/span><span>heir boycott generated a lot of media noise. <\/span><\/p>\n<p><span>Then some independent artists wanted to follow suit. <\/span><\/p>\n<p><span>B<\/span><span>ut should they?\u00a0<\/span><\/p>\n<p><em>TLDR:<\/em> <strong>No, independent artists should NOT remove their music from streaming.<\/strong><\/p>\n<p>Sure, CD Baby makes it easy for you to <a href=\"https:\/\/support.cdbaby.com\/hc\/en-us\/articles\/210729943-What-if-I-need-to-cancel-an-album-or-single-#h_023dc5a8-d08c-4584-b43a-a1d589a1bb40\" target=\"_blank\" rel=\"noopener noreferrer\">remove your music from any platform<\/a>; because ultimately, we want YOU to be in control of your own career. Ideally you know what\u2019s best for you and your audience.<\/p>\n<p>HOWEVER\u2026.<\/p>\n<p><span>Your decision should NOT be knee-jerk. <\/span>Many of the complaints that famous artists level against streaming platforms are regurgitated without all the facts. Like comparing apples and oranges. <span>So before you think about removing your music, there are some important details you should understand. <\/span><\/p>\n<p><span>The first half of this article will discuss more conceptual questions. Then we\u2019ll dive into the MONEY and how current streaming economics may be fairer than casual critics assume. <\/span><span>My point throughout isn\u2019t to say everything\u2019s perfect, or even that we should acquiesce to the status quo. <\/span><\/p>\n<p><span>But I am suggesting <strong>the debate around streaming royalties is oversimplified<\/strong>. Blame feels misdirected. Scapegoats abound.\u00a0<\/span><\/p>\n<p><span>You may be punishing your fans<\/span><\/p>\n<p>If you only read one section of this article, read this:<\/p>\n<p>The <a href=\"https:\/\/diymusician.cdbaby.com\/news\/music-revenue-2020\/\" target=\"_blank\" rel=\"noopener noreferrer\">last payout report CD Baby published<\/a> showed that <strong>more than 40% of our total streaming payments were driven by Spotify. <\/strong>Let\u2019s assume this average applies to YOUR music: If you remove your catalog from Spotify, you\u2019re inconveniencing nearly HALF of your audience.<\/p>\n<p>And worse, if you\u2019re a lesser-known act, you probably haven\u2019t made your music indispensable. To put that more simply: Your listeners won\u2019t follow you to another paid platform. I mean, I wouldn\u2019t even do that for some of my favorite artists.<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\">\n<div class=\"iframe-container\"><\/div>\n<\/div>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_81 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Lessons_from_big_artists_dont_apply_to_you\" >Lessons from big artists don\u2019t apply to you<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#This_is_not_a_unified_protest_there_are_mixed_messages\" >This is not a unified protest; there are mixed messages<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#A_legacy_artists_level_of_commitment_isnt_always_clear\" >A legacy artist\u2019s level of commitment isn\u2019t always clear<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#The_impact_of_the_boycott_may_be_minimal\" >The impact of the boycott may be minimal<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#What_you_need_to_understand_about_streaming_payments\" >What you need to understand about streaming payments<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Most_platforms_share_a_similar_payment_model\" >Most platforms share a similar payment model<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Most_famous_artists_dont_control_their_rights\" >Most famous artists don\u2019t control their rights<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Spotify_has_BARELY_been_profitable_by_certain_measurements\" >Spotify has BARELY been profitable by certain measurements<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Spotify_pays_out_70_of_all_revenue_to_artists_songwriters_and_labels\" >Spotify pays out 70% of all revenue to artists, songwriters, and labels<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#A_lot_of_indie_artists_make_good_money_from_Spotify\" >A lot of indie artists make good money from Spotify<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Spotify_is_a_powerful_discovery_engine\" >Spotify is a powerful discovery engine<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/craighordlow.com\/index.php\/2022\/04\/05\/read-this-before-you-remove-your-music-from-streaming\/#Do_what_you_feel_is_best_for_you_which_is_exactly_what_CD_Baby_enables\" >Do what you feel is best for you, which is exactly what CD Baby enables<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"Lessons_from_big_artists_dont_apply_to_you\"><\/span>Lessons from big artists don\u2019t apply to you<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Famous artists play by different rules. Copying what established acts do might actually be counterproductive for your music.<\/p>\n<p>Beyonc\u00e9 can drop a secret album overnight and have millions of streams the next day. If you do the exact same thing with no advance promotion, it might flop.<\/p>\n<p>Ray LaMontagne can play a lackluster show and be aloof to his audience; the entire crowd eats it up because they adore his songs and they\u2019re psyched to be in the same room with him. You play a lackluster show with zero stage banter? Your next gig will be empty.<\/p>\n<p><strong>Different levels of success, different lessons. Same goes with making your music available (or not) on streaming platforms.<\/strong><\/p>\n<p><span>Ever since the rise of digital music \u2014 going all the way back to Napster \u2014 huge artists (like Metallica, Don Henley, etc.) have wrestled with the idea of a music ecosystem that, at face value, seemed to be less financially viable for creators. With<\/span><span> hindsight though, the contours of the debate are more clear: ownership was arguing with access. Two very different models, and there was no putting access back in the bottle. <\/span><\/p>\n<p><span><strong>The digital music trends that threatened legacy artists and labels were the very things that supercharged the growth in the independent music sector<\/strong> through the early 21st Century. DIY artists were exploiting the exact same tech shifts to build careers that would\u2019ve been far less likely just a few years earlier.\u00a0<\/span><\/p>\n<p><span>Now<\/span><span> we\u2019re in a cultural moment where the idea of removing music from streaming platforms is front-and-center, even when that move probably HURTS independent artists.<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"This_is_not_a_unified_protest_there_are_mixed_messages\"><\/span><strong>This is not a unified protest; there are mixed messages<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span>The boycott du jour seems to be based on<strong> two main narratives, one involving speech and one involving payments.<\/strong><\/span><\/p>\n<p><span>Neil Young, Joni Mitchell, Nils Lofgren, India.Arie, CSN \u2014 they\u2019ve all protested. <\/span><span>But not necessarily about the same thing. <\/span>Some artists protested over what they perceive as unfair payments (I have a LOT to say about that further below). <span>Others objected to content on Joe Rogan\u2019s podcast. The Rogan boycott meant to hold Spotify accountable for providing a platform and sizable paycheck to a media star they saw spreading misinformation. <\/span><\/p>\n<p><span>Now I\u2019m not here to question the effectiveness of one form of speech being used to counter another; but when it comes to a single platform drawing all the heat, I have to ask: Do we remember that <\/span>Rogan\u2019s career was built on a different major platform? And literally EVERY social platform from TikTok to Reddit to Twitter to Pinterest to Discord to YouTube contains SOME KIND OF content that MANY will find objectionable. It\u2019s the internet! Did you cancel with your cable service? Do you want to boycott every platform at once?<\/p>\n<p>Again, you have the right to take whatever stance you wish, but there seems to be an inconsistent application of standards when one platform comes under fire without zooming out a bit.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"A_legacy_artists_level_of_commitment_isnt_always_clear\"><\/span><strong>A legacy artist\u2019s level of commitment isn\u2019t always clear<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span>What I mean is, do these legends even OWN their own catalogs? <strong>Do they have the right to remove their work?<\/strong> Sure, Neil Young does. But it\u2019s not a given that famous artists can even make blanket decisions for their music. \u2018Cuz labels!<\/span><\/p>\n<p><span>So it\u2019s worth investigating: Is the entire catalog removed, or was it merely a recent self-released single (which also means it\u2019s the type of content that likely has a lot less streaming engagement, and a lot less impact when it\u2019s removed).<\/span><\/p>\n<p><span>This affects the severity of their boycott, but also the conditions of their protest (meaning: how much money they stand to lose).\u00a0<\/span><\/p>\n<p>I\u2019m not suggesting these artists lack conviction. Many of them probably would remove their entire catalog if they could, but we should still examine the scope of the protest.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"The_impact_of_the_boycott_may_be_minimal\"><\/span><strong>The impact of the boycott may be minimal<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>When considering the impact, d<span>oes the average user care about these boycotts?<\/span><\/p>\n<p>Avid fans of older artists have already had five chances to pay up: vinyl, tape, CD, downloads, then streaming. That means the legends have made their money many times over, and created a situation where lots of their fans can RETURN to a former mode of consumption with minor inconvenience. Their audiences are the least likely to be on streaming platforms, and the most likely to still have turntables, CD players, or hard drives with FLAC files.<\/p>\n<p>So let\u2019s be real, <strong>these aren\u2019t artists that young listeners are DEMANDING.<\/strong><\/p>\n<p>Even if we agree that catalog listening accounts for the majority of consumption on streaming platforms, \u201ccatalog\u201d is a pretty loose word \u2014 and a pretty enormous chunk of music. No disrespect to Neil Young and Joni Mitchell (I deeply admire both of them), but they\u2019re not the type of artist whose absence will truly be felt amongst the core demographic Spotify needs to lure and keep.<\/p>\n<p>Plus, remember when all these same types of artists were holdouts from streaming platforms? Then when they saw all the success indies were having on Spotify, they changed their tune. What\u2019s different now? <strong>The same payment model that brought them to streaming (and reversed the long downward trajectory of music industry earnings) suddenly isn\u2019t good enough?<\/strong><\/p>\n<p>To say nothing of the fact that these \u201ccatalog\u201d legends (and their labels) are the ones who benefit MOST from the traditional streaming model.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"What_you_need_to_understand_about_streaming_payments\"><\/span>What you need to understand about streaming payments<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>These are the things artists should absolutely understand before forming an opinion about streaming\u00a0 music revenues:<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\">\n<div class=\"iframe-container\"><\/div>\n<\/div>\n<h3><span class=\"ez-toc-section\" id=\"Most_platforms_share_a_similar_payment_model\"><\/span>Most platforms share a similar payment model<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>It\u2019s important to know a stream earns a different amount based on when, how, and where it happened. There are different rates across different subscription tiers, territories, and modes of listening. But at the end of the day (or month), the streaming platform will pool all this activity together and pay out subscription and ad revenue by market share. So an artist or label\u2019s earnings are based on aggregate volume of consumption.<\/p>\n<p><strong>If that\u2019s true for almost every music service, why is everyone angry at only one platform?<\/strong><\/p>\n<p><span>This isn\u2019t to say it\u2019s a perfect model, and I\u2019m excited to see platforms experiment with user-centric options, but\u2026 those are still experiments. The traditional model described above is the standard.\u00a0<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Most_famous_artists_dont_control_their_rights\"><\/span>Most famous artists don\u2019t control their rights<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>When you hear a big act complain about getting hardly any money from ten million streams, a lot is going unsaid.<\/p>\n<p>Their label may be collecting more than 50% of the streaming revenue \u2014 and who knows how that is accounted for, especially if the label is keeping the lion\u2019s share as recoupment. The artist may be splitting their publishing 10 different ways if they have collaborators, assuming they wrote the song at all. Or they may\u2019ve just signed a terrible deal.<\/p>\n<p>We don\u2019t always know the facts. But I do know that <strong>when you own your own recordings and all your own publishing, it\u2019s easier to understand what Spotify is actually paying you for streams.<\/strong><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Spotify_has_BARELY_been_profitable_by_certain_measurements\"><\/span><strong>Spotify has BARELY been profitable by certain measurements<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>It took ages for Spotify to make money.<\/p>\n<p>This point is even more interesting when you consider that<strong> Spotify is actually at a competitive disadvantage.<\/strong><\/p>\n<p><span>Apple, Amazon, and YouTube have the option to use streaming as a loss-leader. They sell devices, ads, and \u2014 in Amazon\u2019s case \u2014 everything (including the infrastructure upon which much of the web exists)!<\/span><\/p>\n<p><span>Spotify? Well they\u2019re just an audio platform. They sell\u2026 access to audio. And they\u2019ve sold that ONE thing so well that <strong>streaming has actually driven enormous passive-listening revenue<\/strong> via Spotify playlists. In the old 20th Century industry model, that didn\u2019t happen.\u00a0<\/span><\/p>\n<p>First, sound-recording rights holders didn\u2019t make money from terrestrial radio. And NO independent artists made ANY money from passive listening, because they didn\u2019t get any spins!<\/p>\n<p><strong>Spotify ushered in the age of user-generated (MONETIZED) plays that actually benefit unknown and emerging artists.<\/strong><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Spotify_pays_out_70_of_all_revenue_to_artists_songwriters_and_labels\"><\/span>Spotify pays out 70% of all revenue to artists, songwriters, and labels<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><span>The current pay breakdown sees Spotify keeping 30%, publishers get 15%, and the rest goes to sound-recording owners.<\/span><\/p>\n<p>Keep 30% and pay the rest to rights holders?\u00a0<span><strong>That\u2019s the SAME cut as iTunes in the download days!<\/strong> If you thought that was a reasonable percentage then, why not now?\u00a0<\/span><\/p>\n<p><span>To pay MORE, where is the money going to come from? Not from Spotify\u2019s cut, because they\u2019re already operating with slim margins.<\/span><\/p>\n<p><span>If it comes from the label side, you don\u2019t gain anything if you\u2019re both the label AND the songwriter. In other words, <strong>I don\u2019t give a damn HOW you split up the 70%, because as an independent artist and songwriter, I already get ALL of it.\u00a0<\/strong><\/span><\/p>\n<p><span>Think LISTENERS should pay more? Great! I\u2019ll bet Spotify does too, since it\u2019d raise their revenue. If they still kept 30% of an increasing subscription fee, they\u2019d be more profitable AND could pay out more in royalties at the same time. Wouldn\u2019t everyone love that?\u00a0<\/span><\/p>\n<p>BUT\u2026 there are market pressures. As I mentioned above, <strong>Spotify competes with services that can operate at a loss<\/strong>. They also contend with a user-base accustomed to a certain ceiling in monthly subscription prices.<\/p>\n<p>So I guess I\u2019ll ask again, do you think LISTENERS should pay more? If so, blame yourself. Blame society. Blame the platforms. Blame everyone. Because perhaps, just perhaps, the problem is a lot bigger than a single popular music platform.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"A_lot_of_indie_artists_make_good_money_from_Spotify\"><\/span>A lot of indie artists make good money from Spotify<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Maybe this should\u2019ve been the starting point of this article, but let\u2019s not forget: <strong>Spotify has been really good for many thousands of emerging artists\u2019 careers.<\/strong><\/p>\n<p>They\u2019ve earned good money, they\u2019ve gained notoriety, and they\u2019ve parlayed success on one of the most important platforms into other opportunities.<\/p>\n<p><span>Why don\u2019t we hear those artists complaining? Are they wrong to feel happy about their Spotify success?\u00a0<\/span><\/p>\n<h3><span class=\"ez-toc-section\" id=\"Spotify_is_a_powerful_discovery_engine\"><\/span>Spotify is a powerful discovery engine<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Removing your music from streaming is like turning the faucet off at the top of your funnel.<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\">\n<div class=\"iframe-container\"><\/div>\n<\/div>\n<h2><span class=\"ez-toc-section\" id=\"Do_what_you_feel_is_best_for_you_which_is_exactly_what_CD_Baby_enables\"><\/span><b>Do what you feel is best for you, which is exactly what CD Baby enables<\/b><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><span>Again, you CAN remove your music from any platform you like. But before you do, think through all the facts. And know that it\u2019s NOT easy to put your music BACK onto those platforms later on.<\/span><\/p>\n<p>Also, Spotify \u2014 or any streaming platform \u2014 is just one component of your overall career and revenue picture. It\u2019s ALWAYS been true that your greatest source of income will be your most dedicated fans in the form of merch sales, tickets, etc.<\/p>\n<p><strong>Passive listening on streaming can generate new attention AND revenue at the same time.<\/strong> Why would you want to close off that faucet when it could be driving a significant portion of your discovery?<\/p>\n<p><span>Diversify your revenue sources, make it easy for your music to be found, don\u2019t punish fans.<\/span><\/p>\n<p><em>For deeper discussion about this topic, watch or listen to the DIY Musician Podcast episode below:<\/em><\/p>\n<div class=\"embed-responsive embed-responsive-16by9\">\n<div class=\"iframe-container\"><\/div>\n<\/div>\n<div class=\"iframe-container\"><\/div>\n<p>The post <a rel=\"nofollow noopener\" href=\"https:\/\/diymusician.cdbaby.com\/music-career\/streaming-boycott\/\" target=\"_blank\">READ THIS Before You Remove Your Music from Streaming<\/a> appeared first on <a rel=\"nofollow noopener\" href=\"https:\/\/diymusician.cdbaby.com\/\" target=\"_blank\">DIY Musician<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some famous legacy artists recently removed their music from Spotify. Their boycott generated a lot of media noise. Then some independent artists wanted to follow suit. But should they?\u00a0 TLDR: No, independent artists should NOT remove their music from streaming. Sure, CD Baby makes it easy for you to remove your music from any platform; because ultimately, we want YOU to be in control of your own career. Ideally you know what\u2019s best for you and your audience. HOWEVER\u2026. Your decision should NOT be knee-jerk. Many [&hellip;]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"h5ap_radio_sources":[],"cybocfi_hide_featured_image":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4617","post","type-post","status-publish","format-standard","hentry","category-best-seo-blogs"],"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":false,"author_link":"https:\/\/craighordlow.com\/author\/"},"_links":{"self":[{"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/posts\/4617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/comments?post=4617"}],"version-history":[{"count":0,"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/posts\/4617\/revisions"}],"wp:attachment":[{"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/media?parent=4617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/categories?post=4617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/craighordlow.com\/index.php\/wp-json\/wp\/v2\/tags?post=4617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}